Six Essays (Friedrich Dürrenmatt, The Quarry, Richard Glazar, Trap with a Green Fence: Survival in Treblinka, Wolfgang Hildesheimer, and Tynset, in Reference Guide to Holocaust Literature, St. James Press, 2002
Thomas Mann und die Englische Literatur, in Thomas-Mann Handbuch, revised third edition, Kröner Verlag series, 2001
Four Genres and One Question: Why? in Shedding Light on the Darkness: A Guide to Teaching the Holocaust, Berghahn Books, 2000
Revolutionary Rescue, Playbill, Lincoln Center, 2000 Commedia Tonight, Stagebill, Lincoln Center, 2000 (Article co-written with Benjamin Folkman)
England's Saving Grace, Stagebill, Lincoln Center, 2000
(Article co-written with Benjamin Folkman)
Breakthrough to Freedom, Stagebill, Brooklyn Academy of Music, 2000
Tchaikovsky's Hero, Stagebill, Lincoln Center, 2000
Enchantress for the Ages,Stagebill, Houston Ballet, 2000
(Reprinted in Stagebill,Pittsburgh Ballet Theatre)
Satanic Voices, Playbill, Lincoln Center, 1999
Love Story, Stagebill, Houston Grand Opera, 1999
Mozart's Turkomania, Stagebill,Lincoln Center, 1999
(Article co-written with Benjamin Folkman)
The Politics of Art, Stagebill, Lincoln Center, 1998
Massenet and Manon, Stagebill, Lincoln Center, 1997
(Article co-written with Benjamin Folkman)
Turkish Turnabout, Stagebill, Lincoln Center, 1997
(Article co-written with Benjamin Folkman)
"The Urfaust and Gounod: French Opera and Goethe," Stagebill, Lincoln Center, 1997
"Enacting Rheingold: The First Performances of Wagner's Tetralogy," (co-authored article with Benjamin Folkman), Opera News, 1997
"Too Grimm for Words: Bechstein's Adaptation of Hänsel und Gretel,"Opera News, 1996
"The Absence of Closure: The Different Finales in Cosi fan Tutte," Opera News, 1996
"The East German Bach Tradition: Masur Conducts Bach in New York," Stagebill, Lincoln Center, 1995
"Thomas Mann und die englische Literatur," in Das Thomas-Mann Handbuch, revised 2nd edition, Kröner-Verlag Series, 1995
"Wagner's Parsifal and the New-Bayreuth Style," Opera News, 1995
"The Floral Prison: Exoticism in Lakmé," (co-authored article with Benjamin Folkman), Stagebill, Lincoln Center, 1994
"Musical Marriages: Susanna's Duets in Le Nozze di Figaro" (co-authored article with Benjamin Folkman), Opera News, 1994
"The Artist as an Old Man: Benjamin Britten's Aschenbach," Stagebill, 1994
"Ideologizing Beethoven: Cold War Performances of Fidelio," Opera News, 1993
"Ariadne auf Naxos: Dualities Infinitely Redividing," Opera Cues, 1993 (article co-written with Benjamin Folkman) Der Freischütz, New York Philharmonic Booklet, Co-translation, 1993 Co-Translations from Goethe's Egmont, Sony CD, 1993
"The Renaissance in Nuremberg: A False Dawn," Opera News, 1993
"Thomas Mann and Wagner, with Notes on the Teaching of Tristan," in Approaches to Teaching: Thomas Mann, MLA, 1992
"Freedom's Ring: The Role of Posa in Schiller's Drama and Verdi's Opera," Opera News, 1992
"Richard Strauss Lieder" New York Philharmonic Program Co- Translation, 1992
"The Magic Flute--Part II," Opera News, 1991 (reprinted 1993 in The New Jersey Opera Association Program Booklet)
"Morning, Noon and Night in Vienna--Comedic Time in Der Rosenkavalier," Opera News, 1991 (reprinted 1995 in the Pittsburgh Opera Association Program Booklet)
"Pioneering American Opera on Morningside Heights," Opera News, 1991
"Vier letze Lieder," New York Philharmonic Program Co-Translation, 1991
"Thomas Mann und die englische Literatur," in Das Thomas-Mann-Handbuch, Kröner-Verlag Series, 1990
"Thomas Mann and Richard Wagner: Wresting the Ring from the Nazis," Opera News, 1990
"The Other Frau ohne Schatten: Hugo von Hofmannsthal's Fairy Tale in Prose," Opera News, 1989
"Thomas Mann's Leo Naphta: Echoes of Brandesian Intellectual History and Biography," in Seminar, 1989
"Sieben frühe Lieder," Chamber Music Society of Lincoln Center Program Booklet, Co-Translation, 1988
"Zum 40. Jahrestag der Beendigung des Krieges in Europa und der nationalsozialistischen Gewaltherrschaft," collaboratively edited for students, American Association of Teachers of German, 1987
"The Faust Theme in Twentieth-Century Opera: Lyric Modernism," in Zeitschrift für Literaturwissenschaft und Linguistik, 1987
"Benjamin Britten's Death in Venice: Operatic Stream of Consciousness," in Bucknell Review, 1987
"Kindertotenlieder," New York Philharmonic Program Booklet, Co- Translation, 1986
"The Shakespearean Element in Thomas Mann's Doktor Faustus-Montage," in Revue de Littérature Comparée, 1985
"Schubert Lieder-Orchestrations": Texts by Goethe, Heine, etc., New York Philharmonic Program Booklet, Co-Translation, 1985
"Altenberg-Lieder," New York Philharmonic Program Booklet, Co- Translation, 1985
"Gurrelieder," New York Philharmonic Program Booklet, Co-Translation, 1985
"Digressive Narrative Modes and the Role of the Reader in Joseph der Ernährer: Thomas Mann's Affinity for Laurence Sterne," in Comparative Literature, 1982
"Georg Brandes' View of Novalis: A Current within Thomas Mann's Der Zauberberg," in Colloquia Germanica, 1981
"Stefan Zweig's Sole Librettistic Attempt, Die schweigsame Frau: A Modernistic Opera Buffa," in Modern Austrian Literature, 1981
"Notes on Interdisciplinary Team-Teaching: A Case in Point," in Association of Departments of Foreign Languages Bulletin, 1981
"Love in Thomas Mann's Dr. Faustus as an Imitatio Shakespeare," in Comparative Literature Studies, 1981
"Miss Sara Sampson and Clarissa: The Use of Epistolary Devices in Lessing's Drama," in Theatrum Mundi, Houston German Studies, 1980
"Diverse Screenings: Coordinating Film and Text in German," in Die Unterrichtspraxis, 1979
"Lyric Symphony" (Zemlinsky), New York Philharmonic Program Booklet. Translation for the American Premiere. Text after poems by Tagore, 1979
"Revising the Foreign Language Curriculum at a Small College," in Association of Departments of Foreign Languages Bulletin, 1977