Scholarly Monographs
Berlin Coquette: Prostitution and the New German Woman, 1890-1933. Ithaca, NY: Cornell University Press, 2013. (Reviews: Choice [Sept 2014] 153; H-Net [Nov 2014]; Film & History 45.2 [Winter 2015] 50-52; Central European History 48.2 [June 2015] 263-265; Journal of Interdisciplinary History 46.1 [Summer 2015] 119-120; German History 33.3 [Sept 2015] 494-495; Monatshefte 107.4 [Winter 2015] 684-690; Journal of the History of Sexuality 25.1 [January 2016] 204-206; Journal of Social History 50.2 [January 2016] 439-441; German Studies Review 39.1 [February 2016] 173-175)
The Afterlives of Weimar Berlin: Twenty-First Century Literature, Media, and Visual Culture (under contract with Camden House/Boydell & Brewer; revised manuscript due on March 31, 2024)
Articles and Book Chapters
“Shadows of Babylon and Shreds of Artificial Silk: Weimar’s Cultural and Political Legacies in the Contemporary Television Series Babylon Berlin,” in: Weimar and Its Lessons, Eds. Ludvig Norman and Ned Lebow (forthcoming from Cambridge University Press)** [** = editorial review, plus anonymous peer review of entire manuscript prior to publication]
“Lotte at the Movies: Gendered Spectatorship and German Histories of Violence in Babylon Berlin,” The Germanic Review, vol. 97, no. 3 (Special Issue on Netflix Culture: German Content on the Global Scene, 2022): 254-271*** [*** = editorial review, plus one anonymous review]
“Weimar in the News: Analyzing German Mainstream Media Coverage (2007-2019),” primary author, co-authored with Fernando Nascimento and Barbara Levergood, in: Weimar 20/20: The Glamour of the Empty Centre, Eds. Claudia and Katharina Clausius (Toronto: University of Toronto Press) [status: accepted for inclusion in volume with minor changes, March 2022; revision submitted June 2022]
“Seduced by Poetry, Sickened by Mass Spectacle: Julia Franck’s Gendered Portrait of Weimar Berlin,” Feminist German Studies, vol. 36, no. 2 (December 2020): 51-74* [* = peer reviewed by 2 anonymous reviewers]
“Policing the East: The New Jewish Hero in Dominik Graf’s Television Crime Drama Im Angesicht des Verbrechens,” in: Rebuilding Jewish Life in Germany, Eds. Jay Geller and Michael Meng (New Brunswick, NJ: Rutgers University Press, 2020) 206-222**
“Sounds of Silence: Rape and Representation in Juli Zeh’s Bosnian Travelogue,” in: German Women’s Writing in the Twenty-First Century, Eds. Hester Baer and Alexandra Merley Hill (Rochester, NY: Camden House, 2015) 175-196
“Reviving German-Jewish Comedy: Dani Levy’s Family Farce Go for Zucker!” in: Modern Jewish Studies 13.2 (July 2014) 231-248
“Prostitutes in Weimar Berlin: Moving Beyond the Victim-Whore Dichotomy” in: Beyond Glitter and Doom: The Contingency of the Weimar Republic, Eds. Godela Weiss-Sussex, Jochen Hung, and Geoff Wilkes (Munich: iudicium, 2012) 135-147
“Just How Naughty was Berlin? The Geography of Prostitution and Female Sexuality in Curt Moreck’s Erotic Travel Guide” in: Spatial Turns: Space, Place, and Mobility in German Literary and Visual Culture, Eds. Barbara Mennel & Jaimey Fischer (Amsterdam: Rodopi, 2010) 53-77
"Richard Oswald & the Social Hygiene Film: Promoting Public Health or Promiscuity?" in The Many Faces of Weimar German Cinema, Ed. Christian Rogowski (Rochester: Camden House, 2010) 13-30
“Working Girls: White-Collar Workers and Prostitutes in Late Weimar Fiction” in: The German Quarterly 81.4 (Fall 2008) 449-470
"A Female Old Shatterhand? Colonial Heroes and Heroines in Lydia Höpker's Tales of Southwest Africa" in: Women in German Yearbook19 (December 2003) 141-158
Translation
Fritz Breithaupt, "Culture of Images: Limitation in Goethe's Wahlverwandtschaften" in: Monatshefte 92.3 (Fall 2000) 302-320
Book Reviews
Cyd Sturgess, Different from the Others: German and Dutch Discourses of Queer Femininity and Female Desire, 1918-1940. New York/Oxford: Berghahn, 2023. Solicited by German History (in progress).
Maren Röger, Wartime Relations: Intimacy, Violence, and Prostitution in Occupied Poland, 1939-1945. Oxford: Oxford University Press, 2021. Central European History 56.1 (2023) 125-126
Elizabeth Otto, Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics. Cambridge, MA: The MIT Press, 2019. Feminist German Studies 36.2 (December 2020) 127-128
Barnet Hartston, The Trial of Gustav Graef: Art, Sex, and Scandal in Late Nineteenth-Century Germany. DeKalb, IL: Northern Illinois University Press, 2017. American Historical Review 124.5 (December 2019) 1975-1976
Nancy M. Wingfield. The World of Prostitution in Late Imperial Austria. Oxford: Oxford University Press, 2017, in: Central European History 52.2 (June 2019) 360
Kerry Wallach. Passing Illusions: Jewish Visibility in Weimar Germany. Ann Arbor: University of Michigan Press, 2017, in: American Jewish Studies Review 43.1 (January 2019) 68-69
Lynne Tatlock. German Writing, American Reading: Women and the Import of Fiction, 1866-1917. Columbus: The Ohio State University Press, 2012, Comparative Literature Studies 53.1 (2016) on-line review, e-1-4
Florian Krobb and Elaine Martin, eds. Weimar Colonialism: Discourses and Legacies of Post-Imperialism in Germany after 1918. Bielefeld: Aisthesis, 2014, Monatshefte 107.4 (Winter 2015) 694-696
Schneider, Daniel. Identität und Ordnung. Entwürfe des “Eigenen” und “Fremden” in deutschen Kolonial- und Afrikaromanen von 1889 bis 1952. Bielefeld: Aisthesis, 2011, in: German Quarterly 85.3 (Summer 2012) 365-366
Jeanette R. Malkin & Freddie Rokem, eds. Jews and the Making of Modern German Theatre. Iowa City: U of Iowa P, 2010, in: German Studies Review 34.3 (October 2011) 720-722
Stephanie Günther. Weiblichkeitsentwürfe des Fin de Siècle Berliner Autorinnen. Alice Berend, Margarete Böhme, Clara Viebig. Bonn: Bouvier, 2007, in: German Studies Review 33.1 (February 2010) 212
David A. Brenner. German-Jewish Popular Culture before the Holocaust. Kafka’s kitsch. London: Routledge, 2008, in:German Studies Review (October 2009) 661
Walter Frisch. German Modernism: Music and the Arts, Berkeley: U of CA Press, 2005, in: Studies in Twentieth- and Twenty-First-Century Literature 33.1 (Winter 2009) 187-189
Christiane Schönfeld, Ed. Commodities of Desire: The Prostitute in Modern German Literature, Rochester: Camden House, 2000, in: Women in German Newsletter (Summer 2002) 12-14
Other
Preface, Dr. Wilhelm Hammer, Ten Life Histories of Berlin Prostitutes under Police Control and Ten Contributions to the Management of the Sexual Question, Translated and annotated by Stephen Carruthers; translation co-edited by me (Oxford: Peter Lang, 2023)
“Babylon Berlin: Weimar-Era Culture and History as Global Media Spectacle,” co-authored with Hester Baer, EuropeNow 43, Special Issue on European Culture and the Moving Image, Eds. Ipek A. Celik Rappas, Michael Gott, and Randall Halle (September 2021), online at https://www.europenowjournal.org/issues/issue-43/
Forum, “Babylon Berlin: Media, Spectacle, and History,” with 5 other scholars, Central European History 53.4 (December 2020) 835-854*
Invited contribution/brief art historical essay, Exhibition and accompanying publication, Es kommt…die Neue Frau! Visualisierung von Weiblichkeit in deutschen Printmedien des 20. Jahrhunderts, Ed. Patrick Rössler (Universität Erfurt, 2019) 174
Encyclopedia entries on “Gabriele Tergit” and “Irmgard Keun” in The Routledge Encyclopedia of Modernism, www.rem.routledge.com (October 2018, Tergit; Spring 2019, Keun)
Essay, “Die Kunst des Kokettierens,” in Jeanne Mammen: Paris—Bruxelles—Berlin (Berlin: Deutscher Kunstverlag, 2016) 70-79
Curatorial Work
Weimar Film Series, curated in conjunction with the exhibition The Robbers: German Art in a Time of Crisis (Lead Curator: Andrew Eschelbacher), Portland Museum of Art, Portland, ME, February-July 2018
Research in Progress
Edited Volume
Volume 6 of A Cultural History of Prostitution, 1920 to the Present (under advance contract with Bloomsbury)
Article
“From the Balkans to Berlin: Migration, War Trauma, and the Gendering of Justice in Hans-Christian Schmid’s Storm”
Book Projects
German courtroom dramas in the aftermath of war & genocide and on representations of Weimar Berlin in contemporary German and American popular culture