Dates:
Location:
Halford Gallery, Becker Gallery, Bernard and Barbro Osher Gallery, Focus Gallery, Center GallerySelected Works
About
This is the first major museum survey dedicated to scenes of the night in American art from 1860 to 1960—an era not yet illuminated by electricity to the beginning of the Space Age. Night Vision: Nocturnes in American Art will bring together 90 works in a range of media—including paintings, prints, drawings, and photographs—created by such leading American artists as Ansel Adams, Winslow Homer, Edward Hopper, Lee Krasner, Georgia O’Keeffe, Albert Ryder, John Sloan, Alfred Stieglitz, and Andrew Wyeth, among others. Featuring exceptional works from the Museum’s collection as well as loans from prestigious public and private collections across the United States, the exhibition will provide visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confines. Organized by Bowdoin curator Joachim Homann, Night
The works featured in Night Vision will reflect the broad range of subject matters that attracted artists to night scenes—including the reflections of moonlight on ocean waves, encounters in electrified urban streets, and firework celebrations. For some mid-nineteenth-century artists, such as Albert Bierstadt, paintings of the night offered the compelling artistic challenge of representing the natural elements of clouds, moon, and sky when shrouded in darkness, while at the same time providing rich opportunities for the symbolic use of light. Following the industrial revolution and emergence of electricity in the late nineteenth and early twentieth centuries, American artists, such as Alfred Stieglitz, John Sloan, and Martin Lewis, began to consider new techniques in order to capture electrical sources of light and their effects on nighttime conditions. Across the range of works presented in Night Vision, visitors will see how reduced visual information and an altered perception in the dark tested artists’ ability to render shadow, light, and form. This lack of light ultimately resulted in less illustrative scenes and transformed the night into an arena for stylistic experimentation and the rise of abstraction in the early mid-twentieth century.
Major support is provided by Edward S. Hyman P’10 and Caroline P. Hyman P’10, Eric S. Silverman ’85, P’19
The exhibition will be accompanied by a major
From June 28 through August 14, 2015, Bowdoin College students will give tours of the
Read the press release.
Programming
June 27,
Keynote Lecture: “ Night Vision: Nocturnes in American Art, 1860-1960”
As the keynote speaker to open the summer exhibition, Night Vision: Nocturnes in American Art, 1860-1960, Barbara Haskell will discuss iconic paintings of the night that came to define American modernism and explore why so many canonical painters of the period were attracted to the dark. Ms. Haskell has curated many groundbreaking exhibitions dedicated to modern and contemporary art in the United States. She is a recipient of the Lawrence A. Fleischman Award for Scholarly Excellence in the Field of American Art History, from the Archives of American Art. Her reinterpretation and installation of the collections in the new home of the Whitney Museum of American Art, New York are scheduled to open May 1, 2015
June 27, 2015 | 6:00 to 7:30 pm. | Bowdoin College Museum of Art
July 2,
Music at the Museum
Bowdoin International Music Festival faculty perform a selection of nocturnes in conjunction with the exhibition, Night Vision: Nocturnes in American Art, 1860–1960. RSVPs are requested. RSVP here.
July 16,
Gallery Conversation
Joachim Homann,
July 23,
Music at the Museum
Bowdoin International Music Festival faculty perform a selection of nocturnes in conjunction with the exhibition, Night Vision: Nocturnes in American Art, 1860–1960. RSVPs are requested. RSVP here.
July 30,
Gallery Conversation
Linda Docherty,
August 13,
Gallery Conversation
Jane Brox, author of Brilliant: The Evolution of Artificial Light, leads a discussion of Night Vision: Nocturnes in American Art, 1860–1960.
August 20,
Gallery Conversation
Joachim Homann,